Daniel Cristian Chiriac, conceived 1972 in Romania, paints oil on material. His favored styles are authenticity and oddity. After an extensive stretch of abstractionism (before 2006), Chiriac rediscovered the lovely paintings of the old bosses. Being an ever increasing number of inspired by the old expert’s procedures, he gradually deserted the theoretical craftsmanship style and went to oddity, incredible authenticity and traditional authenticity style. The greater part of his time is committed to his little girls and spouse and obviously, making craftsmanship. Here today, he carries to us his story complete with perspicacity and individual tales connecting with his experience of life as a craftsman.
What is the story behind the works you wish to zero in on “Until the cows come home” and “The last love of Cassanova”? Indeed, it’s not such a lot of the story behind them than the reality these two paintings are my top choices. “Until the cows come home” is a painted love sonnet to my sweet woman, Daniela. She is the sitting model for my painting.
The image is an image of time vanishing. Being in this way, all that includes in the end is love which should be safeguarded along the years. This painting is additionally my most memorable honest endeavor to manage the brilliant extent. I never under any circumstance, previously or after this have done such countless calculi for a solitary piece! Who’s that to tell that affection isn’t science?! Indeed, my affection is math… Daniela is a number related instructor. With respect to the subsequent painting, I was contemplating this subject for two or three years prior to getting everything rolling painting it. I saw this title in the city. It was a performance center play. The play is very dark and I didn’t see it so my arrangement shares nothing practically speaking with it aside from the title. All the motivation came from that title around which I fostered the story beginning from this inquiry:
– Imagine a scenario in which Cassanova didn’t push off after his last “love”.
Imagine a scenario where Cassanova had prevented flying starting with one blossom then onto the next. As per the legend of Cassanova, he didn’t quit tempting ladies and his end was in damnation… in any case, acting naturally a heartfelt kind, that’s what I believed, in specific conditions, Cassanova might have likewise been lured thus, to find “the one to focus on” that was really for him. This is the subject of my “The last love of Wear Juan”… all things considered, I feel that the title ought to be “The main love of Cassanova” in light of the fact that I think all his “movement” was just an exhibition not love since I really do put stock in genuine romance contained commitment, regard and penance (tragically, so deteriorated in these long stretches of exacerbated egoism)… also, accordingly this is my form of the legend of Cassanova finishing: I feel that Cassanova might have found his genuine affection with divine assistance as it were.